by Sharon Hecker | Mar 21, 2012 | ESSAYS IN EDITED VOLUMES
“Who Calls me Villain? The Italian Professor Facing the American Student Evaluation Process”, in M. Capovilla, A. Faggi, C. Zaiontz, eds, Culture shock? Studenti statunitensi in Italia: una sfida transculturale (Milan: Franco Angeli Editore, 2012): 143-157...
by Sharon Hecker | Feb 21, 2011 | ESSAYS IN EDITED VOLUMES
“Art is Glimpsed. Luciano Fabro’s Penelope”, in J. Hirsh and I. Wallace, eds., Contemporary Art/Classical Myth (London: Ashgate, 2011): 57-86 An essay that explores Luciano Fabro’s Penelope, a work first created on the occasion of the 1972 Venice Biennale,...
by Sharon Hecker | May 21, 2010 | ESSAYS IN EDITED VOLUMES
“Shattering the Mould: Medardo Rosso and the Poetics of Plaster” in R. Frederiksen and E. Marchand, eds., Plaster Casts: Making, Collecting and Displaying from Classical Antiquity to the Present (Berlin: Walter de Gruyter, 2010): 319-330. An essay that discusses...
by Sharon Hecker | Sep 21, 2008 | ESSAYS IN EDITED VOLUMES
“Fleeting Revelations, The Demise of Duration in Medardo Rosso’s Wax Sculpture” in Ephemeral Bodies: Wax Sculpture and the Human Figure, R. Panzanelli, ed., Getty Research Institute Issues and Debates Book Series (Los Angeles: J.P. Getty Trust, 2008): 131-153. An...
by Sharon Hecker | Apr 21, 1997 | ESSAYS IN EDITED VOLUMES
“Medardo Rosso: Ecce puer” in Da Hayez a Klimt. Maestri dell’Ottocento e Novecento della Galleria Ricci Oddi, Galleria d’Arte Moderna di Piacenza (Milan: Skira, 1997): 147-149. An exhaustive catalogue entry on Medardo Rosso’s masterpiece, Ecce puer (1906). More info...
