by Sharon Hecker | Sep 19, 2019 | ESSAYS IN EDITED VOLUMES
“The Internationalisation of the Art Market in the Age of Nation States, 1750-1914” Art Crossing Borders, in Studies in the History of Collecting and Art Markets ed. Jan Dirk Baetens, Dries Lyna, Brill, 2019.Contribution to an essay on Medardo Rosso, the modern...
by Sharon Hecker | Jul 19, 2017 | ESSAYS IN EDITED VOLUMES
“I represent the encumbrance of the object in the vanity of ideology.” Lo Spirato (The Expired One) in Luciano Fabro, ed. Silvia Fabro, Galleria Christian Stein, Milan, 2017.
by Sharon Hecker | Jun 2, 2017 | ESSAYS IN EDITED VOLUMES
“Luciano Fabro: Bitter Sweets for Nadezhda Mandelstam” in The Taste of Art: Cooking, Food, and Counterculture in Contemporary Practices (Fayetteville: University of Arkansas press, 2017). The Taste of Art examines the role of food in Western contemporary art...
by Sharon Hecker | Sep 21, 2014 | ESSAYS IN EDITED VOLUMES
“Everywhere and Nowhere: Medardo Rosso and the Cultural Cosmopolitan in Fin-de siècle Paris” in S. Waller and K. Carter, eds. Strangers in Paradise: Foreign Artists and Communities in Modern Paris, 1870-1914 (Aldershot: Ashgate, 2014). An essay that examines Medardo...
by Sharon Hecker | Jul 21, 2014 | ESSAYS IN EDITED VOLUMES
“Cracking the Code, What Leonardo da Vinci Can Show us About Teaching Art History in Today’s Study-Abroad Setting”, in C. Ramsay Portolano, ed. The Future of Italian Teaching (Cambridge: Cambridge Scholars, 2014) An essay that proposes a series of...
by Sharon Hecker | May 21, 2014 | ESSAYS IN EDITED VOLUMES
“Markets, Bacchanals and Gallows’: Luciano Fabro’s Italia all’asta in Piazza Plebiscito in Naples (2004)” in A. Nova and S. Hanke, eds. Platzanlagen und ihre Monumente: Wechselwirkungen zwischen Skulptur und Stadtraum (Berlin: Deutscher Kunstverlag,...
